Impaulsive: Bro-casting Trump, Part I

But first. . .

An Introduction to Bro-casting Trump: A Year-long SO! Series by Andrew Salvati

“The Manosphere Won.”

That is how Wired succinctly described the results of the 2024 election the day after Americans went to the polls.

Among the several explanations offered for Donald Trump’s stunning victory over Kamala Harris, the magazine’s executive editor Brian Barrett argued, one surely had to acknowledge the crucial role played by that “amorphous assortment of influencers who are mostly young, exclusively male, and increasingly the drivers of the remaining online monoculture.”

Sure, there might be some validity in saying that Trump’s election had to do with inflation, with immigration policy, or with Joe Biden’s “doomed determination to have one last rodeo.” But his appearance on several popular male-centered podcasts in the months and weeks leading up to November 5 likely did much to mobilize support for his candidacy among their millions of viewers and listeners. Talking to Theo Von, the Nelk Boys, Andrew Schulz, and Shawn Ryan “cement[ed Turmp’s] status as one of them, a sigma, a guy with clout, and the apex of a model of masculinity that prioritizes fame as a virtue unto itself,” Barrett wrote.

Indeed, during the president-elect’s victory speech, given in the early morning hours of the 6th, his longtime friend and ally Dana White, president of the UFC, took to the speaker’s lectern to acknowledge the contributions that these podcasters and their audiences had evidently made in elevating Trump to the presidency for the second time. “I want to thank the Nelk Boys, Adin Ross, Theo Von, Bussin’ with the Boys, and last but not least, the mighty and powerful Joe Rogan,” he said.

Spraypainted lips on a brick wall

As a media strategy, this was something of an evolution of Trump’s approach in 2016, in which the former reality TV star had used Twitter to such great effect to bypass legacy media institutions and bring his unfiltered message directly to voters. This time around, and reportedly at the direction of his 18-year-old son Barron, Trump again leveraged the massive reach of new media platforms to speak directly to his target demographic of Gen-Z men.

But the strategy was also of a piece with Trump’s frequent assaults on the press, which he typically characterizes as the “enemy of the people.” Appearing in some of the friendlier precincts of the podosphere allowed Trump to skirt around mainstream journalists with their “nasty” questions and cumbersome norms of neutrality and objectivity, and to bask in the mutual admiration society that some of these interviews became. Indeed, as Maxwell Modell wrote in The Conversation not long after the election, podcasters, in contrast to professional journalists, “tend to opt for more of a friendly chat than aggressive questioning, using what research calls supportive interactional behavior … this ‘softball’ questioning can result in the host becoming an accomplice to the politicians’ positive self-presentation rather than an interrogator.”

Podcasts, in other words, provided Trump with a congenial space to self-mythologize, to ramble, and whitewash some of his more extreme views.

In total, Trump appeared on fourteen podcasts or video streams during his 2024 campaign (Forbes compiled a full list, including viewership numbers, which can be found here), which together earned a combined 90.9 million views on YouTube and on other video streaming platforms (it should be noted, first, that these are not unique views – there is likely an overlap between audiences; second, that these numbers do not include audio podcast listens, which, because of the decentralized nature of RSS, are notoriously difficult to pin down).  

For her part, meanwhile, Kamala Harris also made the rounds on podcasts popular with women and Black listeners – key demographics for her campaign – including Alex Cooper’s Call Her Daddy, former NBA players Matt Barnes and Stephen Jackson’s All the Smoke, and Shannon Sharpe’s Club Shay Shay. It has been suggested, however, that the Harris camp’s failure (or perhaps unwillingness) to secure an appearance on The Joe Rogan Experience was a significant setback, and could have provided an opportunity to reach the young male demographic with whom she was struggling. In any event, while the counterfactual “what-if-she-had-done-the-show” will likely be debated for years to come, Rogan eventually endorsed Trump on November 4, throwing his considerable clout behind the once and future president.

While a comparison between Trump and Harris’s podcast strategy during the 2024 campaign would make for an interesting academic study, in the following series of posts, I will be particularly concerned with Trump’s success with the so-called podcast bros – partially because my own research interests are in the area of mediated masculinities, but also because they may have put him over the edge with a key demographic – with Gen-Z men.

Over the next few posts, I will examine several of Trump’s appearances on largely apolitical “bro” podcasts during the 2024 campaign season, including his interviews with Logan Paul, Theo Von, Shawn Ryan, Andrew Schulz, the Nelk Boys, and Joe Rogan. In the course of this examination, I will pay attention not only to what Trump said on these shows, but also to the way in which they established a sense of intimacy, and how that intimacy worked to underscore Trump’s reputation for authenticity. Along the way, I will also discuss the podcasts and podcasters themselves and attempt to locate them within the broader scope of the manosphere. Finally, given the passage of time since Trump’s appearances, I will consider to what extent, if any, individual hosts have become critical of his administration’s policies and actions – as Joe Rogan famously has.

Before I begin, however, I want to make a quick note about the sources: Following what is quickly becoming standard practice in the field, each of the “podcasts” that I analyze in this series has a video component, and in fact, may very well have been conceived of as a video-first project with audio-only feeds added as a supplement, or afterthought. For this series, though, my interest has centered on podcasting as a listening experience, and so the reader may assume that when I discuss this or that episode of Theo Von’s or Andrew Schulz’s podcast, I am referring specifically to the audio version of their shows. This is also why Trump’s interview with Adin Ross will not appear in this series – it was livestreamed on the video sharing platform Kick, and was subsequently posted to Ross’s YouTube channel (and thus is it technically not a podcast).

With that being said, let’s dig in. I will proceed chronologically, with Trump’s first podcast appearance on the boxer/professional wrestler Logan Paul’s show, Impaulsive, which dropped on June 13, 2024.

****

With about 13 minutes remaining in Logan Paul’s roughly hour-long interview with Donald Trump, the conversation turned to aliens. “UFOs, UAPs, the disclosure we’ve seen in Congress recently,” Paul explained, “it’s confusing and it’s upsetting to a lot of Americans, because something’s going, there’s something happening. There are unidentified aerial phenomena in the sky, we don’t know what they are. Do you?”

For his part, Trump responded gamely, and after respectfully listening to Paul, proceeded to tell a story about how, as president, he had spoken with Air Force pilots, “perfect people,” who weren’t “conspiratorial or crazy,” who claim that “they’ve seen things that you wouldn’t believe.” Still, Trump admitted that he had “never been convinced.”

still of an angry white man with overcombed reddish hair and a superimposed UFO on his right shoulder
SO! Screencap of IMPAULSIVE EP. 418

I start with this turn in the conversation not necessarily to dismiss the 29-year-old Paul as a conspiratorial thinker or an unserious interviewer, but rather to highlight the overall tone of the Trump episode, which was overwhelmingly chummy and fawning. It was clear from their deferential posture that Paul and his co-host Mike Majlak were in awe of the former president, and asking such questions was a way of keeping it light and easy.

Logan Paul, after all, is not known for his incisive political commentary. Indeed, in the 17 episodes of Impaulsive that were released in the six months preceding the Trump interview (all of which I have listened to for this piece), political issues hardly featured at all. One exception came during the December 19, 2023 episode with his brother Jake Paul (also a professional boxer, who was recently knocked out in a fight against Anthony Joshua), in which Logan and Majlak discussed the prevalence of right-wing or MAGA content and signifiers as the inevitable backlash to the excesses of the left and the “woke mind disorder,” as Majlak put it. Another example was the January 31, 2024 episode with former co-hosts Mac Gallagher and Spencer Taylor, in which Majlak went on a self-described “rampage” about the problems at the U.S. southern border (in particular, he referenced the Shelby Park standoff, though without naming it), and in which Paul’s father, Greg Paul, got on the mic to declare his support for “Trump 2024.” But other than these incidental moments and superficial takes, the show is not really the place for nuanced discussions of public policy or electoral politics. (Indeed, in the January 31 episode, Paul even attempted to stop Majlak’s rant by noting that listeners didn’t really tune into the show for political discussion).

Nor does Impaulsive, despite all its testosterone-fueled bro-iness, seem to fit comfortably within the manosphere, as I understand that term and what it signifies. Indeed, though Paul and Majlak seem to have fixed ideas about gender and about the differences between men and women, absent from their discussions (at least during the six month sampling of episodes that I listened to) is the kind of misogynistic and reactionary “Red Pill” rhetoric that characterizes manosphere discourses.

This isn’t Andrew Tate, after all, and it’s important that we keep track of the distinction.

young bearded blonde white man in a black suit and white shirt sitting to the left of a young brown haired bearded white man in a navy suit and white shirt, both talking into microphones
SO! Screencap of Paul and Majlak, IMPAULSIVE EP. 418

Impaulsive, rather, serves as a venue for Paul and Majlak to have informal, free-wheeling conversations with their guests – which have included fellow wrestlers, sports stars, internet personalities, rappers, pastors, and even Chris Hansen – on a range of other topics of interest to the hosts. If there is a throughline in all of this (aside from Paul and Majlak’s interest in how guests navigate their social media presence), it is certainly the relationship between the two co-hosts, their similar immature (we might more charitably say “goofy”) sense of humor, their mutual interest in combat sports, and their past history of online and offline hijinks all providing the basic framework for much of their conversation. It also gives Impaulsive listeners a sense of intimate connection with the pair, a sense that they are in the room as a silent participant in the hang.

And Paul has had a decade’s worth of experience in making comedic content. Having first earned a following by posting short videos on Vine as a college freshman in 2013, he dropped out of school and moved to Los Angeles to pursue a full-time career as a social media content creator. Fortunately for him, the gambit worked, and his content was soon reaching hundreds of thousands of followers across Twitter, Instagram, and Facebook in addition to Vine, and a compilation of his videos posted to YouTube amassed more than 4 million viewers in its first week. A number of TV and movie appearances followed, and in 2018, Paul began what would eventually become a professional boxing career with a white-collar match against the British influencer KSI.

Blonde white male teenager holding a blue and white bullhorn
SO! Screencap of Logan Paul Vine Comp 1

Paul’s rise to notoriety wasn’t unmarked by controversy, however. In late December 2017, at a time when he had something like 15 million YouTube subscribers, Paul earned widespread condemnation for his insensitivity after he posted a video to the site showing the body of an apparent suicide victim in Japan’s infamous Aokigahara Forest, and making light of the situation. As a result of the backlash on social media – which included a Change.org petition urging YouTube to deplatform the creator that garnered over 700,000 signatures – Paul removed the video and issued an apology for his actions (this apology was itself criticized for being disingenuous and self-serving, and Paul was later compelled to issue another). For their part, YouTube took disciplinary measures against Paul, which included removing the creator’s channel from the Google Preferred advertising program, and removing him from the YouTube Red series Foursome, among other things.

But that wasn’t all. About a month later, YouTube announced that it would temporarily suspend advertisements on Paul’s channels (the revenue was estimated to be about a million dollars per month) due to a “recent pattern of behavior,” which, in addition to the Aokigahara Forest controversy, now included a tweet in which he claimed that he would swallow one Tide Pod for every retweet he received, and a video in which he tasered a dead rat. The suspension seemed to be little more than a slap on the wrist, however, and two weeks later, in late February of 2018, ads were restored on Paul’s channels.

The controversies continued after the launch of Impaulsive in November 2018. In an episode released the following January, as Paul and Majlak and their guest, Kelvin Peña (aka “Brother Nature”) were discussing their resolutions to have a “sober, vegan January” followed by a “Fatal February” (vodka and steaks), Paul chimed in and suggested that he and Majlak might do a “male only March.” “We’re going to go gay for just one month,” he announced. “For one month, and then swing … and then go back,” Majlak concurred. The implication that being gay was a choice drew sharp criticism online, including a tweet from the LGBTQ+ organization GLAAD, which pointed out, “That’s not how it works @LoganPaul.”

We could continue. But it’s also worth mentioning that in early 2019, Paul underwent a brain scan administered by Dr. Daniel G. Amen, which revealed that a history of repetitive head trauma from playing football in high school had damaged the part of his brain that is responsible for focus, planning, and empathy. Such a revelation may explain some of Paul’s poor decision-making. But it has also been suggested that this may be an excuse for the creator to not own up to his shortcomings. And the diagnosis hardly stopped him from starting a boxing career, which he freely admitted “is a sport that goes hand-to-hand with brain damage.”

But even while Paul’s head injuries may have, to some extent, affected his ability to form human connections, it hasn’t completely severed the possibility. On Impaulisve, Paul often shows a genuine curiosity about his guests, a desire to understand their perspectives, and displays a sense of esteem for those, like the WWE superstars Randy Orton and John Cena, whom he knows personally and professionally outside of the context of the podcast. Even amid the raucous Morning Zoo atmosphere of the show, Paul’s tone when speaking to his guests is usually deferential and flattering, and creates a space not only for sharing intimate revelations about, say, the challenges creators face while living so much of their lives in public (a common topic), but also allows guests an opportunity to present themselves and their work in the best possible light.

SO! Screencap of IMPAULSIVE EP. 407 with (l-r) John Cena, Logan Paul, and Mike Majlak

This kind of dynamic was at play during the Donald Trump interview, in which Paul and Majlak offered the former president plenty of opportunities to boast about the historic accomplishments of his first term and of his 2024 campaign, and to air his many grievances – against Joe Biden, the media, the Democratic Party, and the lawyers prosecuting the many cases against him. Impaulsive, in other words, became a platform for Trump to remediate his typical campaign rhetoric, a means of delivering familiar content in a way that privileged quiet intimacy rather than grandstanding performances.   

This sense of intimacy derived, in large part, from the setting in which the episode was recorded: Paul and Majlak were sat close to Trump in a wood-paneled room at his Mar-a-Lago estate. But it also stemmed from the kinds of questions that the co-hosts asked Trump. At one point in particular, the conversation turned, as it often does on Impaulsive, to combat sports, and to Trump’s love of the UFC. Opening up on this non-political and heavily masculinized subject – and casually mentioning the cheers he receives when he attends UFC events in person – likely increased the former president’s appeal among Impaulisve listeners, who, according to Paul and Majlak, are mostly wrestling and UFC fans themselves. 

SO! Screen Capture of IMPAULSIVE EP. 418

Other questions about combat sports – like whether Paul’s brother Jake could win an upcoming fight with Mike Tyson – further cemented the sense that Trump was a fan among fans, and thus created conditions for what podcast researcher Alyn Euritt calls “recognition,” moments in which listeners may feel a sense of intimate connection with a speaker/host and with the larger listening audience.

But what stuck out to me when listening to the episode and thinking about intimacy and podcasting, was the way in which the calm and deliberate pacing of the conversation, with help from the co-host’s gentle guidance, largely prevented the former president from straying into the kind of stream-of-consciousness delivery that characterizes much of his public discourse, and which has come to be known as the Trump “weave.” Kept on course by a friendly interlocutor pitching softball questions, Trump can sound lucid, even rational – and one can see how, in listening to this, his supporters, and even those apolitical listeners in the Impaulsive audience, can get swept up and taken along for the ride.

This is perhaps true for those moments, which occur often, where Trump touts his own successes and popularity. At the beginning of the episode, for instance, after Trump gave Paul a shirt emblazoned with his famous mugshot (which Paul called “gangster” and said “it happened, and might as well monetize it”), the former president launched into a string of familiar complaints about how his prosecution in that case had been an “unfair” miscarriage of justice, and how it had nevertheless resulted in a fundraising boon for his campaign. “I don’t think there’s ever been that much money raised that quickly,” he declared. Uncritically accepted by the co-hosts – and even encouraged by their muffled chortling – such defiant but matter-of-fact posturing may have seemed reasonable to Impaulsive listeners, an understandable response to what was presented as a blatant act of political persecution.

But the apparent honesty and reasonableness of Trump’s views even seemed to extend to his inevitable criticisms of Joe Biden and the American news media, criticisms which were likewise encouraged by Paul and Majlak’s laughter. When Majlak, for instance, asked Trump whether he was “starting to come around or soften your views on some of the networks that you may have not gotten along with in the past?” Trump’s blunt response, “no, they’re fake news,” was met with legitimating chuckles, and with Paul’s concurring statement, “yeah, fake news.” It was Trump’s follow-up, however, in which he put special emphasis on his May 2023 town hall with CNN’s Kaitlan Collins, that he elaborated his position, revealing that though he had thought the network had turned a corner in terms of its friendliness, or at least neutrality, toward him, they were instead “playing hardball.” Delivered almost in a tone of resignation, Trump seemed to give the impression that his poor (in his eyes) treatment by the press was a given, that their hostility, though unfair, was something that simply had to be endured. Again, this explanation, communicated in such an intimate conversational setting, seemed to suggest a cool and reasonable assessment of the situation and prepared listeners to later accept his more extreme view, expressed less than a minute later, that CNN was “the enemy.”

Overall, then, the episode, which ended with Paul, Majlak, and Trump filming a TikTok video in which the podcaster and presidential candidate squared off face-to-face as if shooting a fight promo, offered Trump a platform to connect with other combat sports fans, to burnish his reputation for authenticity, and to legitimize his many grievances. And while the number of new MAGA converts his appearance earned is an open question, what is clear is that Impaulsive afforded Trump an opportunity to directly speak to a demographic that was increasingly important to both campaigns.  

Series Icon Image Adapted from Flickr User loSonoUnaFotoCamera CC BY-SA 2.0

Featured Image: Paul making his entrance as the WWE United States Champion at WrestleMania XL, CC BY-SA 2.0

Andrew J. Salvati is an adjunct professor in the Media and Communications program at Drew University, where he teaches courses on podcasting and television studies. His research interests include media and cultural memory, television history, and mediated masculinity. He is the co-founder and occasional co-host of Inside the Box: The TV History Podcast, and Drew Archives in 10.

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Top Ten Sounding Out! Posts of 2025!

16 years in, we’re still here, listening hard for each thump, rasp, and rattle of the drum to amplify for our readers. Keep the pressure coming louder and louder for us to propagate, and look out for our print edition, Power in Listening: The Sounding Out! Reader to drop in August 2026 from NYU Press! –JS, Ed-in-Chief

Here, beginning with number 10, are our Top 10 posts released in 2025 (as of 12/13/25)!

(10). The Sonic Rhetoric of Quincy Jones (feat. Nasir Jones)

By Jaquial Durham

“The passing of Quincy Jones has left a silence that feels almost impossible to fill. Every time I play Thriller at home now, it’s no longer just a celebration of his unparalleled artistry. It’s a ritual to sit with his legacy, listen more closely, and honor how his music shaped the sound of memory itself. With each spin of the record, my family and I find ourselves inside his arrangements, held by their richness, precision, and sense of story as though the music is breathing with us, speaking back across time. Jones’s work was never just production; it was communication. A language of sound connected us to melody and beat and the fuller spectrum of emotion, culture, and memory that lives in Black music.. .”

[Click here to read more]

(9). The Techno-Woman Warrior: K-pop and the Sound of Asian Futurism

By Hoon Lee

“As a ’90s kid, I remember too well us school kids singing and dancing to the songs at the top of the charts on music shows such as Ingigayo (인기가요) and Music Bank (뮤직뱅크). It was what one might call the “pre-K-pop” era: there were a lot of solo artists performing in various genres, and the notion of idol culture as we know it now was only fledgling. Without the mass production system or the global distribution that has come to be the norm in today’s K-pop, first generation idol groups around the new millennium—H.O.T.Fin.K.LgodSechs Kies, S.E.S.—not only set up these business models and standards, but also inspired the music and aesthetics of later generations. The group aespa’s cover of “Dreams Come True” by S.E.S. is an exemplar case, and NewJeans, with their unflinching Y2K aesthetics and sound, take us back to the millennial through and through. . .”

[Click here to read more]

(8).Finding Resonance, Finding María Lugones

By Daimys García

“I am always listening for María: I find her most in the traces of words.

Trained as a literary scholar, I relish in the contours of stories; I savor the nuances found between crevices of language and the shades of implication when those languages are strung together. It is no surprise, then, that since the death of my friend and mentor María Lugones, I have turned to many books, particularly her book, Pilgrimages/Peregrinajes: Theorizing Coalition Against Multiple Oppression,  to feel connected to her. I have struggled, though, to write about her, talk about her, even think about her for many years. It wasn’t until I found a passage about spirits and hauntings in Cuban-American writer and artist Ana Menéndez’s novel The Apartment  that I found language to describe a way through the grief of the last five years. . .”

[Click here to read more]

(7). The Sounds of Equality: Reciting Resilience, Singing Revolutions

by Mukesh Kulriya 

“When the pandemic hit the world in late 2019, the concept of lockdown ceased the social life of the  people and their communities. In these unprecedented circumstances, a video from Italy took the internet. People in Italian towns such as Siena, Benevento, Turin, and Rome were singing from their windows and balconies, which raised morale. The song “Bella Ciao,” an old partisan Italian song, became an anthem of hope against adversity. This anti-fascist song was popularized during the mid-20th century across the globe as a part of progressive movements. Following this, people in many countries around the world created their renditions of “Bella Ciao” in Turkish, Arabic, Kurdish, Persian, French, Spanish, Armenian, German, Portuguese, Russian, and within India in languages such as Punjabi, Marathi, Bangla, and even in sign language renditions. It was such an apt moment that captured the idea of empathy, solidarity, and the human need for community.   This moment was still resonating with me when I was approached by Goethe Institut, New Delhi, to work on music and protest, and create The Music Library. I knew what I needed to do.     . . .” 

[Click here to read more]

(6).SO! Reads: Zeynep Bulut’s Building a Voice: Sound, Surface, Skin 

by Enikő Deptuch Vághy

“Voice and sound theorist Zeynep Bulut’s Building a Voice: Sound, Surface, Skin (Goldsmiths Press, 2025) is a remarkable work that reconfigures the ways we define “voice.” The text is organized into three sections—Part 1: Plastic (Emergence of Voice as Skin), Part 2: Electric (Embodiment of Voice as Skin), and Part 3: Haptic (Mediation of Voice as Skin)—each articulating Bulut’s exploration of the simultaneously personal and collaborative ways voice evolves among various sonic entities and environments. Through analyses of several artistic works that experiment with sound, Bulut successfully highlights the social effects of these pieces and how they alter our expectations of what it means to communicate and be understood.”

[Click here to read more]

(5). Clapping Back: Responses from Sound Studies to Censorship & Silencing

by MLA Sound Studies Executive Forum

“The MS Sound Forum invites papers for a guaranteed session at the Modern Language Association’s annual conference in Toronto, Canada in January 2026. The session responds in part to the MLA Executive Council’s refusal to allow debate or a vote on Resolution 2025-1, which supported the international “Boycott, Divest, and Sanction” (BDS) Movement for Palestinian rights against the ongoing genocide in Gaza. In light of the Council’s suppression of debate, some of the Sound Forum Executive Committee members decided to resign in protest while others remained to hold the MLA accountable for its undemocratic procedures. To acknowledge and respect the decision of those who left, the remaining members chose not to immediately fill the vacancies to let the parting members’ silence speak.. . .”

[Click here to read more]

(4). “Just for a Few Hours, We Was Free”: The Blues and Mapping Freedom in Sinners (2025)

by Juston Burton

“In the 2025 blockbuster SinnersRyan Coogler has a vampire story to tell. But before he can begin, he needs to tell another story—a blues one. Sinners opens with a voiceover thesis statement performed by Wunmi Mosaku (who plays Annie in the film—more on her below) about the work the blues can do, then rambles the narrative through and around 1932 Clarksdale, eventually settling into a juke joint outside of town. Here, the blues story builds to a frenzied climax, ultimately conjuring the vampires propelling the film’s second half. It’s those vampires that most immediately register as cinematic spectacle, but Coogler’s impetus to film in IMAX and leverage all of his professional relationships for the movie wasn’t the monsters—it was to showcase the blues at a scale the music deserves. In Sinners, the blues takes center stage as a generative sonic practice, sound that creates space to be and to know in the crevices of the material world, providing passage between oppression and freedom, life and death, past and future, and good and evil. . .”

[Click here to read more]

(3). “Keep it Weird”: Listening with Jonathan Sterne (1970-2025)

by Benjamin Tausig

“Dr. Jonathan Sterne passed away earlier this year. He was, in many ways, a model scholar and colleague.

The intellectual ferment of the field now called “sound studies” is often traced to the sonic ecologists of the 1960s, but the theoretical energy of the early 2000s, generated by figures such as Ana Maria OchoaAlexander WeheliyeEmily ThompsonTrevor Pinch (1952-2021), and of course Jonathan Sterne, was necessary for the field to gain interdisciplinary traction in the twenty-first century. Sterne’s The Audible Past: Cultural Origins of Sound Reproduction (Duke University Press: 2003) was perhaps the single-most important book in this regard.

Trained in communications, and working in departments of communication, first at Pitt and later McGill, Sterne oriented his work toward media studies, and indeed, The Audible Past is principally about mediation. It poses questions about the role of sound in the history of mediation that earlier generations of sound studies had tended to elide, especially regarding the contingent and often cultural role of the human ear in reception.  These questions opened the door for anthropologists, historians, communications scholars and ethnomusicologists in particular to think and even identify with sound studies, and many of us who were trained in the 2000s did so enthusiastically, with Sterne’s writing a lodestar.. . .”

[Click here to read more]

(2). Faithful Listening:  Notes Toward a Latinx Listening Methodology

by Wanda Alarcón, Dolores Inés Casillas, Esther Díaz Martín, Sara Veronica Hinojos, Cloe Gentile Reyes

“For weeks, we have been inundated with executive orders (220 at last count), alarming budget cuts (from science and the arts to our national parks), stupendous tariff hikes, the defunding of DEI-anything, the banning of transgender troops, a Congressional renaming of the Gulf of Mexico, terrifying ICE raids, and sadly, a refreshed MAGA constituency with a reinvigorated anti-immigrant public sentiment. Worse, the handlers for the White House’s social media publish sinister MAGA-directed memes, GIFs across their social channels. These reputed Public Service Announcements (PSAs), under President Trump’s second term, ruthlessly go after immigrants. 

It’s difficult to refuse to listen despite our best attempts..  . .”

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(1). SO! Podcast #82: Living Sounds: Rhythms of Belonging

CLICK HERE TO DOWNLOADSO! Podcast #82: Living Sounds: Rhythms of Belonging

SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS

FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.”

It’s been a minute for the SO! podcast but we are glad to be back–however intermittently–with a podcast episode that shares a discussion between women sound studies artists and scholars. The panel “Living Sounds: Rhythms of Belonging,” was held on September 19 at 6-7pm EDT at The Soil Factory arts space in Ithaca, New York. Moderator Jennifer Lynn Stoever, sound studies scholar and our Ed. in Chief, talks with four women sound artists about their praxis: Marlo de LaraBonnie Han JonesSarah Nance and Paulina Velazquez Solis.. . .”

[Click here to read more]

Featured Image: “microphone on the bass drum of the drummer for No Age” by Flickr User Dan MacHold CC BY-NC-SA 2.0

tape reel

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The Top Ten Sounding Out! Posts of 2019!

The Top Ten Sounding Out! Posts of 2018!

The Top Ten Sounding Out! Posts of 2017!

The Top Ten Sounding Out! Posts of 2016!

The Top Ten Sounding Out! Posts of 2015!